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Plays

Troy Williams

The Passion of Sister Dottie S. Dixon
For far too long, the Mormon leadership have tried to control the gay narrative. That day is over. We are crafting our own stories and writing a new ending.

by Troy Williams
Check out Sister Dottie S. Dixon at www.sisterdottie.com
May 2009

On behalf of myself, Charles Lynn Frost and Pygmalion Theatre Company, we want to thank all of you for making The Passion of Sister Dottie S. Dixon a smash success. We enjoyed a wild run with sold out shows, added performances and fantastic media coverage. We were overwhelmed by the amazing response.

It's exciting to see a project emerge from concept into a fully manifested reality. Three years ago I approached Charles and asked him to create a character for my radio series on KRCL. I knew Charles was a phenomenal actor and I was anxious for the opportunity to collaborate with a performer of his caliber. I sat down at his kitchen table as he pulled out a series of notes. "Her name will be Sister Dottie S. Dixon, and she will host a show called What Not, What Have You and Such as That." We were off and running.

It took awhile for me to grasp Dottie's syntax and "heavy regional dialect." Charles had to teach me "Spaneesh." Not your typical south of the U.S. border Spanish, but "Spaneesh" from Spanish Fork. It was tricky, but Charles was patient. And after awhile I caught on "ril good!"

Charles and I approached the character from two different perspectives. He was channeling his mother, who raised him in Spanish Fork — as well as her many friends who comprised the sisters from his ward. I was always channeling those courageous women in Mormon history who were excommunicated for challenging authority: Sonja Johnson (who supported the Equal Rights Amendment), Fawn Brodie (who wrote Joseph Smith biography No Man Knows My History) and Lavina Fielding Anderson (who documented cases of ecclesiastical abuse).

Charles grounded Dottie's basic humanity and gave her a soul, while I constantly threw her into outrageously uncompromising situations. After two years of Dottie on the radio, we decided to take her to the stage. One of the elements that Charles and I deeply agreed upon was the need for the gay community to shift our narrative. It is time we collectively change our story.

Think about it. When you survey gay cinema, theatre and literature, it is almost always associated with violence and death: AIDS, gay-bashing, suicide and parental rejection comprise what has become a gay victim meta-narrative. The world hates gay people and look how we suffer! This is the story that we tell over and over. And I'm really done with it.

When Charles and I sat down to write The Passion we were very clear that we were going to celebrate how awesome it is to be gay. We were determined to invert the classic narrative of parents rejecting their queer kid. What if Dottie, as a Mormon mother, championed her gay son — even at the risk of her own membership? That was the driving force. From the very beginning I was determined that Dottie was a latter-day Joan of Arc. She was a visionary who would come into conflict with her church leaders. Her actions would culminate in her trial and ultimately she would be "burned at the stake center." Yet no matter the trials we put her through, Dottie would always remain true to her Mormon core.

When you create a work of art, you never really know which parts will be well received and which might fall flat. There were many surprises along the way. Perhaps due to a glowing review in The Deseret News, The Passion drew in a large number of active Mormons. Every night I would look out across the audience and see seats plum-full of "Dotties" — brave Mormon moms unafraid to laugh at our cultural idiosyncrasies. And perhaps due in part to Dottie's following on KRCL, there were many nights when our straight audience far outnumbered the queers.

One BYU professor in attendance told us that, like Dottie, he was asked by his employers not to talk about his gay child. Another LDS mother took me by the hand and, with tears in her eyes, told me how she was a Dottie and she had invited her 18-year-old son to see the show in the hopes that he would finally come out to her. I heard back later that night that he had.

There are many Mormons who, in the shadow of Proposition 8, are standing up for their gay family members. They are loving and embracing them just as they are. Things are changing for the better.

For far too long, the Mormon leadership (and the born-again Christians and the Republican Party, et al) have tried to control the gay narrative. They have marginalized our lives, disparaged our love and actively worked to eliminate our rights. That day is over. Our identity will no longer be defined by others. We will no longer internalize their fear and enmity. We are crafting our own stories and writing a new ending.

And it feels damn good, doesn't it?

As Dottie says, "Heavenly Father sent a gay baby into our lives as a blessing." We want every queer person in the world to believe that. We want every parent of a gay child to know what a beautiful gift they have been given. We are not sinners, we are not defective, and we are most definitely not burdened by an affliction. "The Mormons have great lessons to learn from their gay children," says the Giant Box Elder Bug wearing the Jacqueline Smith sweater set from K-Marts, "Why do you think they have so many!?" Indeed.

The world is changing. The story is shifting. You are part of that. All of us. Every time you come out, every time you raise your voice and defend the "marginalized and miniaturized people of the earth," every moment that personal authenticity informs your next choice. This is the work that Dottie invites us to engage: "to heal a world that is ailing from too much suffering."

May that be the passion that consumes our lives. I'm grateful for Sister D. for sharing with us new possibilities and new stories. We all look forward to her second coming. Inthenameofjesuschrist – AMEN!

You can follow Dottie's further adventures at sisterdottie.com.